My Life In Neon

Sci Fi / Fantasy writer Autumn Nicole Bradley – Dream in digital, live in neon

Archive for the tag “Nicola Tesla”

Steampunk Worldbuilding – Lewis Mulligan

Or, How I Built A Steam-Powered Internet

When I set out to write Lewis Mulligan and the Pandemonium Engine I started by laying down some ground rules. These would be the cornerstones of my world, and any setting I created had to have a way to fit them in.

  1. Nicola Tesla is alive and well. I don’t think it is uncommon among steampunk fans to think Nicola Tesla was slighted by history. Those pads you put your phone on to charge it wirelessly? Yeah, he was doing that a hundred years ago. Even though most common appliances and electronics run on DC power, AC is a lot easier to transmit over long distances. Who do you think invented it? Radio? This has always been a touchy one, even in his day, but it’s safe to say that he and Marconi should at least share credit for certain aspects of it.

    Obvious consequence: If the Nicola Tesla was to play a role in the story, then it must be set in our world’s past. That alone brings with it tons of other baggage: real countries, real cities, real people, real historical events, and real scientific achievements.

    Vindication: Tesla “won” the War of the Currents with Edison, and thus had the capital he needed to develop his Colorado Springs and Wardenclyffe Tower projects sooner and to completion. The handwavium of this setting is that his projects worked so well that they now account for much of the world’s electrical transmission, along with transatlantic communication. One thing I tried very hard to keep faithful to was Tesla’s focus on the future and improving humanity’s lot; I do my best to keep him from becoming a mad scientist, or exploiting his technological development for personal gain.

  2. Charles Babbage finished the Difference Engine. The entire premise of the Pandemonium Engine is that it is a next-generation calculating engine. That means if we’re set in the period of 1890-1910 (due to Mr. Tesla) then the world has experienced at least 60 years of development of calculating engines in business and industry. Also, in more than just a nod to Ms. Lovelace, she lived beyond her premature death and became the foremost authority on the mechanisms.

    Obvious Consequence: 60 years is a long time to have computers. That’s the period between ENIAC and the DotCom bust. Adjust that for: 1) Cost of manufacture, 2) Physical limitations of the devices, 3) Lower global population, and suddenly you have a completely different flavor of information revolution.

    Not so obvious consequence: Combine this with the twist from above, (computing engines + wireless, transatlantic electrical transmission and communication) and you now have the stage set for a proto-Internet. What would an 1890’s world do with the Internet? This was an age of robber barons and titans of industry where they now control the means of production and the means of communication. I don’t delve too deeply into dystopia with this book, but I think I laid the groundwork for it unintentionally. I may explore that in the future. Instead, I take a different angle on it and explore the backlash against such an eruption of technology from the church who finds artificial intelligence to be an abomination.

  3. Zeppelins are pretty damn cool. Does anything else need to be said? Rather than generic aerostat dirigibles, I bump Zeppelin’s work up by a few years in light of all the rest of the industrial development.

    What if? The major limitations of aerostats is power supply and lift gas. Helium is safe, but it is expensive and (for the time period) extremely rare. However, electrolysis of water can provide a great deal of hydrogen in flight if you have water on board. But electrolysis takes a lot of power for the amount of hydrogen that needs to be liberated for an airship. Where can we get near-limitless power, anywhere in the world, even in flight? Mr. Tesla, I’m looking at you.

  4. One of the main characters is a creation of Dr. Frankenstein. The concept of the golem has always fascinated me, whether we’re talking the historic Kabbalah or modern androids. Some time ago I was in a stage performance of Frankenstein by Marty Duhatschek. It was an original reinterpretation where the monster named himself Adam upon reading the Bible and learning that Adam was the name of the Creator’s first creation. Likewise, Mary Shelly’s Frankenstein included a sapient “monster”. I couldn’t resist adding one of my own.

    Don’t cross the streams! I realize there’s some uncertainty about introducing fictional characters alongside fictionalized characters. Why care about the verisimilitude of the other elements of this list (such as the plausible technologies of Tesla) if I’m just going to introduce plainly fictional elements? Well, let’s think about this a little more closely. We can already revive people through defibrillators. Medical science has already achieved a head transplant (even though nervous system control is questionable). Cryonics. Part of the horror of Shelly’s story for modern audiences is that it has actually become more plausible since it’s initial publication.

    (Geek note: whenever I play D&D, I always play a class capable of creating constructs. It’s never about pets, its about creating.)

  5. This is still for young adults. One of the advantages of setting this in the real world is that I can take advantage of the narrative to introduce younger audiences to some of the really cool stuff history missed out on by taking a different course: Gurney cars, Tesla’s world electrical grid, Babbage’s engines, and so on. I do my best to keep faithful to the original design and intent of these things so as to minimize any misunderstanding between the real thing and my fictionalized account.

What can you take away from all this

  1. Each setting choice has a consequence.
  2. Self-consistency is crucial to making things believable. If the world has readily available electricity without the need to plug in to a grid, all kinds of free standing devices become possible.
  3. Steampunk is alternate history, or an alternate world altogether. Things don’t need 100% historical accuracy.
  4. Technology brings social change, even if it is subtle. Without the need to run cables, home electricity in rural areas becomes feasible decades earlier. What kind of change would that cause?
  5. Things are allowed to be different, just remember 1-3. If you introduce the luminiferous aether, then Einstein’s theory falls apart and you’re dealing with a variable speed of light. That is bound to introduce some very, very strange things, so consider the consequences carefully (If your sky isn’t rainbow colored, why?), but don’t be afraid of it.
  6. Just remember the Rule of Cool. (Warning: Contains a link to TV Tropes. Do not click unless you have an abundance of time on your hands.)

The Early 1900s Were Cooler Than You Thought (My trip to the Museum of Science and Industry)

A few weeks ago, my girlfriend and I went to the Museum of Science and Industry in downtown Chicago. The highlights:

  • A working Foucalt’s Pendulum (Two, in fact. Read the article if you don’t understand why something so incredibly simple can demonstrate something so profound about our world.)
  • Jim Henson’s Fantastic World with a whole section devoted to The Dark Crystal
  • Fast Forward, kind of a Popular Science/Popular Mechanics exhibit where I got to play with a Reactable! (See it in action) Needless to say, I would love to have one of these to use in live performance.
  • The U-505 Submarine. A German U-boat captured in WWII. It’s an amazing piece of engineering and war history. Not to get all war-ranty, but I’m not one that is typically prone to romantic idealizing about war being a noble venture. But there are parts of it that are truly awe inspiring. This view actually moved me to tears. It’s impossible to convey the feeling you get when you see this thing and understand what it means that our grandfathers and uncles built and used these things to kill each other.

I will admit, I was actually moved to tears multiple times inside the museum. There are a handful of things that will make me cry, and amazing and humbling feats of human achievement are one of them. For those keeping score at home, I have also readily admitted to weeping at the sight of The Millennium Clock Tower during my visit to the UK.

But in the upstairs of the Science Storms exhibit, they have a collection of what can best be described as early electrical odds and ends.

They have one of the (if not the) largest Wimshurst Machines ever built on display.
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Leyden Jars, an early electrical capacitor:
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An early Tesla coil. (They had a modern Tesla coil mounted on the ceiling creating artificial lightning above a circle of couches. I admit that Tesla coils are Fucking Cool, but not exactly the best atmosphere for a tea party. Unless it is the coolest tea party ever.)
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Big Daddy’s little brother? (It’s actually a fire fighter’s helmet.)
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